Some new small hand-cut paper collages (approx 10×8 inches in size) developing as part of a ‘Travels in Lockdown’ series. A playful journey through urban landscapes, architecture, shape and form, made during a nationwide lockdown within the security of the artists’ studio.
Experimenting with three ink on A2 paper works as part of ‘A Paper / A Day’, the daily creative drawing project for October on instagram. #apaperaday20 #kunstwerkt
De nieuwe editie van A Paper / A Day: dé online tekenchallenge starts 1 oktober til 31 oktober. 31 dagen, 31 curatoren, 31 favorieten. Meedoen (elke dag of af en toe) doe je dit jaar simpelweg door je tekening op Instagram te taggen met #apaperaday20. Alvast een blik werpen op een deel van curatoren? Ontdek ze via deze link op onze website: https://bit.ly/2DG6d27
The new edition of A Paper / A Day: the online drawing challenge starts 1st October and runs until October 31st. 31 days, 31 curators, 31 favorites. You can participate (every day or occasionally) this year simply by tagging your drawing on Instagram with #apaperaday20.
The 1st 4 days of October in my sketchbook #apaperaday20 #instachallenge #kunstwerkt @miketedder
ECC (East Cliff Creatives) members are holding a group exhibition at Brew in Folkestone. The Coffee shop is a great supporter of local artists and has held many solo and group shows. Although due to Covid restrictions there will not be a public open evening for visitors this time around, please do drop by for a fine coffee during opening hours, view the artworks and support a superb local venue.
The current show runs for 4 weeks through October.
Brew
83 Cheriton Rd, Folkestone CT20 1DG
I am showing the above two original paper collage works in this exhibition at Brew. #eastcliffcreatives @miketedder
Quatre études (2020): black acrylic marker on Khadi paper with some collage and overlay, A4 size.
Three experiments from yesterday’s zoom drawing club meet up: initially cutting-out freehand objects and the re-positioning of geometric forms. Fluid layouts encouraged subsequent reassessments, with explorations of shape and negative space floating upon a mid-grey paper (Clairefontaine Gris). Finally with a spray of adhesive the position of elements within the paper collages was fixed.
